Saint Cloche is proud to present No Mirror, No Likey, the highly anticipated new solo exhibition by internationally exhibited artist Saxon Quinn. Known for his layered, gritty and deeply personal aesthetic, Quinn’s latest body of work offers an incisive yet playful critique of vanity, identity and modern masculinity, filtered through the distorted mirror of memory, nostalgia and self-image.

No Mirror, No Likey takes its title from a lyric by UK musician Baby Dave, whose punk-inflected satire struck a chord with Quinn while he was working in his Murwillumbah studio. Across these canvases, Quinn channels the spirit of CoBrA artists, whose raw, childlike energy challenged post-war conceptualism. These works are layered with ghostly traces of graphite and paint, torn paper, glued pages from childhood sketchbooks, oil sticks, inks and studio dirt.

Exhibition Details

“Supporting artists and fostering meaningful connections with collectors has always been at the heart of what we do. Over the years, we have helped grow the careers of many artists we’ve worked with, providing a platform for their practice to thrive.”

- Kitty Clark, Founder

Saint Cloche is a dynamic gallery presenting a diverse program of high-calibre exhibitions that change fortnightly. Established as a leading contemporary art space, the gallery has cultivated a strong community of collectors and creatives, championing art, culture, and contemporary thinking.

Located in Paddington, Sydney, the gallery’s distinctive corner frontage is framed by a striking set of vintage Swedish industrial windows. Beyond exhibitions, Saint Cloche serves as a creative concept space, selectively available for installations, collaborations, workshops, and events.





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