Drawing from spiritual symbology, mythological reinvention, post-colonial critique, and pop-cultural sabotage, Brown constructs a rebellious new visual language. His materials are charged: graffiti-poetry, sacred vessels, neon gods, and still-life florals jostle for space, emerging from the wreckage of a world in crisis with humour, reverence, and riotous colour.
Brown’s creative practice is fuelled by endless curiosity and restless questioning. He asks if originality is still possible in a cultural desert, whether AI can replace the artist, and whether nostalgia is a refuge or a trap. Amid the ruins, beauty endures.
As seen in major international venues like Palais de Tokyo and SFMOMA, and in atmospheric collaborations with Africola, Mexicola Bali, and Mandala Club Singapore, Brown’s work transcends genre and geography. In PROMISES LAND, he draws us into a hallucinatory state - a promised land that was never a destination, but a feeling.
The past is a grotesque animal.
The future is loud, luminous, and textured.
