This body of work is an expression of optimism. It took shape during Sydney’s lockdown, through daily meditation within a shed and in my head and on daily walks above the ocean. It took form through repetitive practice that became zen flow, which led to now. Many types of clay are featured, each with its own distinct character. It is through this sticky medium that I was allowed expression of my thoughts and emotions. A playful interpretation of classical ancient forms provided a canvas allowing the material qualities of each clay to manifest using predominately coil techniques. Each finished piece has its own narrative where a past life, travel and the natural world play a key role behind the colour, silhouettes, and the textures of this body of work. Weathered looking glazes, slips and oxides are used whilst textures are made organically through subtle movements of the fingers, imperfections are always savoured.