"Moving away from my usual representational genre, this series features minimal abstraction with compositionally led paintings using straight lines and concentric geometry. Resin-dipped timber envelops acrylic paint in high gloss, aligning with my fast, confident, and deliberate practice.

The hard-edge squares evoke impressions of wet windows and interior spaces, reminiscent of sexually charged Fontana slash paintings, or “Brutalism lifting her skirt.” The disciplined reductionism heightens my approach to color, balancing 70s shades of beige, greens, and grey with earthy palettes. This series bridges architectural form with abstract art's expressive potential, inviting viewers to explore refined simplicity."

East 63rd Street, 1976
East 63rd Street, 1976
East 63rd Street, 1976

$11,000

He Had The Same Wallet His Entire Life
He Had The Same Wallet His Entire Life
He Had The Same Wallet His Entire Life

$2,200

Never Too Poor
Sold
Never Too Poor
Never Too Poor

Sold

I'm Here Please
Sold
I'm Here Please
I'm Here Please

Sold

Chocolate Covered Trouble
Chocolate Covered Trouble
Chocolate Covered Trouble

$1,850

In Case of An Emergency Ask An Old Person
In Case of An Emergency Ask An Old Person
In Case of An Emergency Ask An Old Person

$1,850

Even Though The Carpet Was Sticky They Danced Like They Were 20
Even Though The Carpet Was Sticky They Danced Like They Were 20
Even Though The Carpet Was Sticky They Danced Like They Were 20

$1,850

More, More, More
More, More, More
More, More, More

$1,850

Little Things Are Often Big Things
Little Things Are Often Big Things

$2,500

After We Went Through The First Door There Was Another Door
Sold
After We Went Through The First Door There Was Another Door

Sold

That Time When Old Things Were New Things
Sold
That Time When Old Things Were New Things
That Time When Old Things Were New Things

Sold

When We Knew What The Plan Was
When We Knew What The Plan Was
When We Knew What The Plan Was

$1,850

I Wish I Could Breathe Underwater
Sold
I Wish I Could Breathe Underwater
I Wish I Could Breathe Underwater

Sold

Foundations
Sold
Foundations

Sold

Afternoon Delight
Afternoon Delight
Afternoon Delight

$1,850

I'll Be Good To You
Sold
I'll Be Good To You
I'll Be Good To You

Sold

East 63rd Street, 1976
East 63rd Street, 1976
East 63rd Street, 1976

$11,000

Little Things Are Often Big Things
Little Things Are Often Big Things

$2,500

He Had The Same Wallet His Entire Life
He Had The Same Wallet His Entire Life
He Had The Same Wallet His Entire Life

$2,200

After We Went Through The First Door There Was Another Door
Sold
After We Went Through The First Door There Was Another Door

Sold

Never Too Poor
Sold
Never Too Poor
Never Too Poor

Sold

That Time When Old Things Were New Things
Sold
That Time When Old Things Were New Things
That Time When Old Things Were New Things

Sold

I'm Here Please
Sold
I'm Here Please
I'm Here Please

Sold

When We Knew What The Plan Was
When We Knew What The Plan Was
When We Knew What The Plan Was

$1,850

Chocolate Covered Trouble
Chocolate Covered Trouble
Chocolate Covered Trouble

$1,850

I Wish I Could Breathe Underwater
Sold
I Wish I Could Breathe Underwater
I Wish I Could Breathe Underwater

Sold

In Case of An Emergency Ask An Old Person
In Case of An Emergency Ask An Old Person
In Case of An Emergency Ask An Old Person

$1,850

Foundations
Sold
Foundations

Sold

Even Though The Carpet Was Sticky They Danced Like They Were 20
Even Though The Carpet Was Sticky They Danced Like They Were 20
Even Though The Carpet Was Sticky They Danced Like They Were 20

$1,850

Afternoon Delight
Afternoon Delight
Afternoon Delight

$1,850

More, More, More
More, More, More
More, More, More

$1,850

I'll Be Good To You
Sold
I'll Be Good To You
I'll Be Good To You

Sold

About the Artist

Daimon Downey is a Sydney-based contemporary artist whose studio practice focuses on abstract and expressionist painting. With a background in music – a former front man for Aria award-winning band Sneaky Sound System – his art is loud, full of life, pace, and unabashed colour. The artist’s work has struck a chord with local and international clients for over 10 years, with a string of sell-out shows across Sydney, Brisbane, Perth, and New York. 

Rooted in fantasy and the imagination, the art is born in Downey’s studio overlooking Bondi Beach and invites the onlooker to feel comfort and happiness through its exploration of colour, balance, and form. It offers an escape from the mundane and often harsh realities of life. Each timeless piece is designed to be lived with, supplying its owners with a window for safety, pleasure, and escape. 

Downey has been commissioned to design artworks for some of Australia’s leading interior designers and hospitality operators including Byron Bay hotel Rae’s on Wategos, Ravesis hotel in Bondi, Matteo Downtown, Matteo Double Bay, and North Bondi Fish.

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