In light again, Toronto-based artist Celia Lees explores the emotional shift that follows the lifting of heaviness. These works capture the moment when colour softens, space expands and clarity returns with renewed depth and calm.
In Algorithm, Stacey Rees explores the unseen systems that shape contemporary life, the personal codes, gestures and subtle rituals that influence how we move through the world.
Her paintings reflect on the choreography of the everyday, the scroll, the swipe and the curated pause. Rees considers whether our expressions are genuinely our own or quietly shaped by the desire for approval.
Elizabeth Lewis presents Paradise Lost, a series of hand-built vessels inspired by the fantastical world of Hieronymus Bosch. Creatures appear fossilised, eroded or suspended in transformation, as though uncovered from an ancient myth or a forgotten dream.
Developed after six months living in the Netherlands, these works reveal layered colour and raw clay built up across multiple firings.
In Algorithm, Stacey Rees explores the unseen systems that shape contemporary life, the personal codes, gestures and subtle rituals that influence how we move through the world.
Her paintings reflect on the choreography of the everyday, the scroll, the swipe and the curated pause. Rees considers whether our expressions are genuinely our own or quietly shaped by the desire for approval.
In light again, Toronto-based artist Celia Lees explores the emotional shift that follows the lifting of heaviness. These works capture the moment when colour softens, space expands and clarity returns with renewed depth and calm.
Elizabeth Lewis presents Paradise Lost, a series of hand-built vessels inspired by the fantastical world of Hieronymus Bosch. Creatures appear fossilised, eroded or suspended in transformation, as though uncovered from an ancient myth or a forgotten dream.
Developed after six months living in the Netherlands, these works reveal layered colour and raw clay built up across multiple firings.
